A: "When I started getting into house music while I lived in New York City back in 1988, "Big Fun" was the first track which caught me on fire. I loved it from the first second I heard it and due to this it was only a matter of time to put my hands on it and simply rework it my way. I am quiet happy with the mixes and the track so far did very well in the clubs worldwide and being signed to Hed Kandi is of course a great thing to be for a DJ and producer. We are coming up with a lot of different mixes and the hot one now is Dave Spoons incredible remix. For me one of the best he has done so far." This remix had just gone number 1 in the Ministry of Sound download charts and in the djdownload.com charts, which is amazing

A: "Quiet a lot. Like remixes for: Antoine Clamaran "Relax", F & Martinengo - Let´s Get Out Tonite, Yves La Rock - Something On Your mind, my new single D.O.N.S. feat. Gloria Gaynor - Supernatural Love (no cover !!!!) and some studio lounge projects like Tranquillo and Sugarman or the new Warp Brothers Single and some other dance projects and producing DJs and artists (like John Morley from Adelaide with a big new tune called "Naughty" or Louis Osbourne, new track "Maia"). Besides producing and quiet a busy booking schedule I take care of my several labels. Kingdom Kome Cuts, Kingdom Kome Cuts Black, Dos Or Die Records, Ovations, Blanket Recors (Lounge and Chill). We have a lot of releases each month and a lot online stuff going on. We have artists like Jerry Ropero, Antoine Clamaran, Sebastien Leger, Eric Lavelle, Louis Osbourne, Clubworxx, John Morley and more on ur labels of Kingdome Kome and acts like Royal Gigolos, Warp Brothers, Kadoc, Hypertrophy and DJ Bomba on Dos Or CDie Records.

A: I think it´s pretty much the sound we developed in the studio. We wanted to have a pumping sound for the clubs but still a soft touch for listeners not being on the dance floor. Like pumping house with the ability to sound nice on radio or even the background. I think that besides the big electro scene, voacel house is coming back big time and that´s why we tried to find a way to combine elctro elements, with a touch of tribal and vocal house. At the end it´s a result of unendless studio session to apoint where you say. That´s it I love it :o)

A: On one side it´s a good thing because it´s supporting creativity even for people who wouldn't have had a chance to produce some years ago. On the other side there are a lot of people out there calling themselves producers because the just put down a track on Fruity Loops. Everything has it pros and cons. I think it´s in a balance. More and more producers are considering themselves producers without really knowing what comes with producing. An instrumental club track can be a great production but it doenst necessarily mean that the same producer is able to do a big vocal house track. Due to the technical progress a lot of producers are being specialized in what they figured out while producing which is or can creating a new sound and new influences.

A: His feeling for music and the ability to feel what he´s doing and
what will work for the people.

A: When I am daydreaming thinking of music. I often come up with track ideas.
Not even on purpose but ideas are simply popping up. When I am in the studio there
is not fixed time. I am an early morning guy but I don't find many people working
with me at 7 am unless we are still up.

A: It would have been James Brown, my all time hero. RIP and thank you.
From the living I would say Carl Cox.

A: Yes I do think so. It is very hard even for very talented upcoming DJs to get over a certain level without hot tracks in the club. Even if you´re established it is helpful to have your own records being played and out.

A: First of all it was a great remix from Kurd Maverick which started to put this track on fire and than it´s always a bit of luck, good timing and the right players picking up a track. Besides this track is anyway one of the biggest dance anthems of all times and everybody has it on his mind from back than. Even younger people. It was a hit and it showed that it didn't lose this power years later.

A: I was touring a lot. Really exciting have India and the China tour I just got back from. All gigs turned out top be massive and for me it was a great experience because I have never been in this countries before. Miami's WMC was a blast and I played 5 gigs and in between gigs in Russia, UK, Germany, South Africa made live pretty cool and enjoyable.

A:Hard to answer because in some countires you don't play as often as in other. India p.ex. was a great gig but I only played there once. Australia I play up 20 gigs a year and I simply love this country and would give it the #1 peak position

A:Amnesia Ibiza (never played there but been there and the atmosphere was mindblowing). Playing with Carl Cox , the Swedish mafia guys(Angello, Axwell, Ingrosso) and my very best DJ friends from all over the world (hello John Morley, Jerry Ropero and Stas).

A: What`s the strangest or most unusual place you`ve ever played a gig in? Of course Love Parade. An Open Air car cinema in Cali/Colombia. Would maybe do it again.
That was somehow unreal

A: What`s the strangest or most unusual place you`ve ever played a gig in? Of course Love Parade. An Open Air car cinema in Cali/Colombia. Would maybe do it again.
That was somehow unreal

A: CDs and CDJs. I am still a vinyl junkie and we still release between 5-8 vinyls a month but if you travel a lot vinyl simply doesn't do it any more. Too much stress, lost luggage, too heavy and overweight fees. On top you are way more flexible with CDs. You simply can take more tracks with you than a bag with 80 records. Especially if you have those sets scheduled for two hours ending up being 5. At the end you can talk for ever about this subject but the convenient factor is simply too strong to ignore it.

A: I think more and more DJs will start using Macs or PCs which I think is a bit of a shame. I still think that a DJ is somehow there to entertain the audience. Having some one clicking tracks with his mousse has more the impression to me that he is checking MySpace or sending email in front of the audience. That's not really entertaining and nobody really sees what he is doing. Is it a pre mixed Set ?? Especially the ones promoting themselves a live DJs because they use certain software which allows to add loops, effect, samples and snyth lines and stuff are not really live for my taste. Live for me is still a bataillon of keyboards, drum sets and maybe even more like guitars. That can easily be done with elctronic music too and I think there must be still a drawed line between these two things.
(Underworlds is live p.ex)

A: We hope it still has a future. Not too optimistic though

A: Dave Spoon is just bursting out on the scene (thanks for the great remix), John Morley, Stas (DJ Tito from St. Petersburg Russia), Danny Freakazoid and Will Bailey. There many more out but these are hot I really do think.

A: The bloody lack of sleep and that you start to hate things like planes but at the end I love to DJ for a life and cant find anything bad about it. And this is why I still think flying is pretty cool and I can still sleep when I am dead. And don't forget all this countries and the young daughters from hot mothers :o)

A: Johnny Guitar Watson - Funk Beyond The Call Of Duty. I received a lot of records before this from my uncle who was a radio DJ for AFN in Germany playing Funk and Soul over 30 years ago.

A: Music always was my way of escaping reality or getting rid of stress. I was always into music as long as I can think ff. Started really listening to music when I was 12 years and DJing with 17 years. I started with James brown, Soul, Rare Groove and Funk and than House music especially deep house and garage was the consequent developpemen for this musict. Besides I was always in to electronic music like Kraftwerk. Liasion Dangereuse, Jean Michael Jarre. I didn't lost this temptations over the last 22 years.

A: would be a lawyer or real estate agent maybe
(that is what I learned and studied some years)